Wednesday, August 8, 2018

Inside Look at Our 2018 Residency

This year's summer residency brought plenty of unfamiliar faces to our Ashland University campus, so while our students and faculty were able to grow familiar and bond over the course of those two weeks, anyone unable to come to campus this summer might still be yearning for a glimpse.

As such, please enjoy these gorgeous photos our campus photographer provided. Even for those that came, here's a dose of nostalgia and hopefully warm fuzzy feelings.

Captions detail faculty members versus students versus panelists. 

Faculty member, Lauren Markham, with her workshop class. 

Creative nonfiction students during their workshop. 

Faculty members (from left to right) Lily Hoang, Marcelo Hernandez Castillo, Nayomi Munaweera, and Katherine Standefer

Featured panelists Eric Obenauf (founder of Two Dollar Radio) and NJ Campbell (author of Found Audio)

Stunning picture of our faculty. 
(left to right, top): Kate Hopper, Kate Gale, Dexter Booth, Sandra Simonds, Brian Conn, Douglas Manuel, Lauren Markham, Sarah Monette, Christian Kiefer
(left to right, bottom): Lily Hoang, Naomi Williams, Marcelo Hernandez Castillo, Katherine Standefer, Kirstin Chen, Nayomi Munaweera

Program director Christian Kiefer (left), Lauren Markham (middle), and Dexter Booth (right) having a great time, most likely laughing at a horrible joke our fearless leader made. 

First and second year poetry students working in their workshop. 

Faculty member Derek Palacio sharing his wisdom during his workshop session.
Once again, we'd like to extend a huge thank you to all of our amazing faculty members and students who made this residency one to never forget.

Friday, June 22, 2018

2018 Summer Residency Highlights

Happy Summer! Campus is blooming, workshop packets are coming in, thesis manuscripts are going out to readers. And it's high time we started sharing some of the exciting things brewing for our 2018 Summer Residency. 

This year's residency begins Monday, July 23, ending with our graduation celebration on Thursday, August 2. In between we'll be welcoming more than 40 talented writers and editors to the microphone and classroom (including 21 of our own graduating students). 

As in past years, alumni and writers or readers in the community are very welcome to join us for evening readings, weekend events, and afternoon craft classes. But we're also planning a few events out in the community this year. 

* We'll also have several events at the Ashland Public Library, including a high school creative writing workshop, a presentation on getting published, and readings from our faculty and students. 

* MFA Fiction Faculty Kirstin Chen will give a book talk at Mansfield's Main Street Books on Wednesday, July 25. 

* We'll have an Open Mic night at Downtown Perk in Ashland. Come and join us. Listen or share! 

Monday, January 29, 2018

Ashland MFA Faculty and Staff at AWP Conference this March

The 2018 AWP Conference & Bookfair will be in Tampa, Florida, March 7-10. According to their website, the conference features over 2,000 presenters and 550 readings, panels, and craft lectures. The bookfair has more than 800 presses, journals, and literary organizations from around the world. 

If you're heading to this year's AWP conference be sure to stop by booth # 1416 and say hello. And please join us for a social event on Friday evening in the Marriott. Stop in for a drink and appetizers before heading out for off-site readings and after-hours fun. 

Many of our MFA instructors will be presenting at this year's panels. Here's a listing below! 

For more information on the conference and a full schedule of events, visit the AWP website.

Thursday, March 8, 2018

12:00 pm to 1:15 pm
Florida Salon 5, Marriott Waterside, Second Floor
R174. In Search of Our Essays’ Mother(s): Women and the History of the Essay. (Jenny Spinner, Kyoko Mori, Angela Morales, Mary Cappello, Jocelyn Bartkevicius) While we celebrate this “Golden Age for Women Essayists,” we note that women essayists other than Woolf, Didion, and Dillard are largely absent from historical/critical studies of the essay. Our panelists argue for a more inclusive tradition, taking into account how women essayists have successfully handled the special demands of essaying over the centuries. We will offer perspectives on a diversity of women essayists who have shaped the essay’s history and charted the way to our golden present.

12:00 pm to 1:15 pm
Florida Salon 6, Marriott Waterside, Second Floor
R175. Structuring the Novel: Methods, Approaches, Ideas. (Janet Fitch, Lindsey Drager, Christian KieferMatthew SalessesDerek Palacio) The methods of structuring book-length fiction are as numerous as they are difficult, especially in an era where the very idea of the "novel" is being called into question. Bringing together a diverse group of panelists with very different methods of structure, this panel strives to offer concrete answers to your structuring questions. What method might work best for the novel you are writing? How best to move forward? To outline or not to outline? How much to plan?

4:30 pm to 5:45 pm
Room 7, 8, & 9, Tampa Convention Center, First Floor
R280. Weaving All Our Tongues: Latinx Editors/Publishers and the Creation of Comunidad. (Ahimsa Timoteo Bodhrán,  Raina J. León,  Lorenzo Herrera y Lozano,  Casandra Lopez,  Carmen Giménez Smith) Latinx publishing builds stronger activist, artistic, and scholarly communities. Editors and publishers will discuss the production and maintenance of Latinx, Indigenous, African, womanist, queer/trans, pan-people of color, and multicultural journals, solo/co-authored books, anthologies, and presses. Collaboratively producing diverse texts, panelists will discuss navigating economic, logistical, and institutional challenges, while centering issues of culture, politics, aesthetics, and diversity.

Friday, March 9, 2018

10:30 am to 11:45 am
Grand Salon C, Marriott Waterside, Second Floor
F140. Writing Revolution: Not Why, but How. (Gabrielle Lucille Fuentes, Peter Mountford, Nayomi Munaweera) What are the specific challenges of writing about resistance and protest movements? How do we balance ethics, polemics, and aesthetics? How do we portray the labor—emotional and otherwise—of change-makers? When depicting historical movements, what are the obligations to reality and the obligations to the imagination? This panel brings together writers for a craft discussion of how to write fiction about revolution, political violence, and entangled histories.

12:00 pm to 1:15 pm
Florida Salon 1, 2, & 3, Marriott Waterside, Second Floor
F173. Workshops that Work, Workshops that Matter. (Tom Williams, Joy Castro, Beth Nguyen, Matthew Salesses) The workshop is the foundation of creative writing classes, but has it evolved to meet literary culture's diverse current needs? What conventions need rethinking? How do we talk about craft and not ignore its cultural implications? What practices might provide an encouraging and inclusive atmosphere for underrepresented students and limit reproductions of power? Four writers of color who teach share strategies to innovate and invigorate the workshop in ways that benefit all participants.

1:30 pm to 2:45 pm
Cody D. Todd Memorial Stage, Sponsored by USC, Exhibit Hall, Tampa Convention Center, Third Floor
F216. Butler University MFA’s 10th Anniversary Reading. (Kaveh Akbar, Doug Manuel, Andrea Boucher) It’s the 10th Anniversary of that scrappy, don’t-count-us-out Butler University MFA program, and we are proud to celebrate our survival—and flourishing—with a reading that features three of our most successful alumni: Kaveh Akbar (Calling A Wolf a Wolf, Alice James Books 2017), Doug Manuel (Testify, Red Hen Press 2017), and Andrea Boucher (Redivider Beacon Street Prize in Nonfiction 2017).

3:00 pm to 4:15 pm
Room 1, Tampa Convention Center, First Floor
F252. Undocupoets Speak. (Suzi F. Garcia, Marcelo Hernandez Castillo, Janine Joseph, Christopher Soto) In 2015, Undocupoets published an open petition asking for ten highly visible and renowned first book poetry contests to reconsider and remove the language stating US citizenship as a requirement for submission/publication. In fall 2016, they established the Undocupoets Fellowship. Janine Joseph joined them in order to begin this fellowship to help undocumented writers pay book contest fees. Here they will discuss their goals moving forward and the marginalization of undocumented writers.

3:00 pm to 4:15 pm
Room 11, Tampa Convention Center, First Floor
F256. Writing as Migration. (Nancy W. Au, May-Lee Chai, Ploi Pirapokin, Nayomi Munaweera, Achy Obejas) Meaning thrives within the liminal linguistic space between words. For translators, this space is uniquely fraught. How do translators carry the scars of history, intersecting cultures and languages under their skin? What forms of resistance subsist and thrive within the art of translation? How do translators translate the untranslatable? What are the different ways and reasons translators might resist translation?

4:30 pm to 5:45 pm
Room 14, Tampa Convention Center, First Floor
F290. Whatever it Takes: Get Your Book the Attention It Deserves. (Sean Bernard, Vanessa Hua, Alicia Rabins, Douglas Manuel, Ariel Lewiton) Many authors don’t realize that in many ways, their work actually increases when the writing is done. Four recent first-book writers and one publicist will discuss the pitfalls and successes they’ve encountered in book promotion, sharing how to avoid mistakes both common and unique as well as strategies—from hustling reviews and doing book tours to selling poetry scarves, giving away temporary tattoos, making promotional trailers, and more—in order to usher works into happy existence.

4:30 pm to 5:45 pm 
Room 25, Tampa Convention Center, First Floor
F299. Framing Life: Notes on Structuring the Book-Length Memoir. (Heather Kirn Lanier, Kelly Sundberg, Jill ChristmanKate Hopper) Both a book and a life are finite, but one is far unrulier than the other. How can the memoirist contain the messiness of life in a single manuscript? Where might the story begin and end? How can the writer employ or disrupt narrative chronology to keep the reader turning pages? Four writers discuss structural approaches to memoirs they’ve written as well as memoirs they love. Failed attempts and lessons learned will be unabashedly included.

6:30 pm to 8:00 pm
Meeting Room 3, Tampa Marriott Waterside
Ashland MFA Meet and Greet (and Eat). Meet our new faculty and help us launch our second decade in style! Cash bar and appetizers provided. We welcome all friends of the program and those looking for a low-residency MFA program to call home. 

Saturday, March 10, 2018

9:00 am to 10:15 am
Room 15, Tampa Convention Center, First Floor
S126. Profundity as Purpose: Thoughts on Sentences, Vocabulary, and Style. (Christine Schutt, Josh Weil, John Keene, Christian Kiefer, Kim O'Neil) Thrilling! I couldn't put it down! A literary page-turner! Such exclamations speak to a particular set of reader values, namely that writing should be entertaining, concise, clear, and propulsive. This panel speaks to its political opposite: writing that stretches boundaries, considers musicality as important, searches for vocabulary and meaning. Where is today’s writing that takes up the gauntlet of Faulkner, Woolf, Dos Passos, and what can such writing mean in the 21st century?

12:00 pm to 1:15 pm
Florida Salon 6, Marriott Waterside, Second Floor
S175. Explorations of Insidiousness: Writing Complicated Political Realities. (Diana Arterian, Douglas Manuel, Todd Fredson, Dexter L. Booth, Sarah Vap) Race, gender, genre, the border, the city, the home. Just as one category seeking to to organize human beings is dismantled, another appears. As one pillar is toppled, a more invisible one is erected in its place. Insidiousness is oil in the engines that power late capitalism. Panelists read new work in which they explore and expose the insidious nature of social constructions within the United States in order to contribute to a larger discourse on the writing and politics in the 21st century.

1:30 pm to 2:45 pm
Room 25, Tampa Convention Center, First Floor
S231. This Is Not a Memoir: Thoughts on the Linked Essay Collection. (Sarah Viren, Angela Morales, Kristen Radtke, Ryan Van Meter, Elissa Washuta) What does it mean to publish—or read—a collection of linked essays? How is this nonfiction form different than a traditional essay collection or a memoir? And what characteristics, if any, does it share with a linked story collection? In this panel, writers and editors of linked essay collections will discuss the what and how of writing and publishing a linked essay collection, and why they didn’t just write a memoir.

3:00 pm to 4:15 pm
Florida Salon 4, Marriott Waterside, Second Floor
S237. Draining the Swamp: Writing as Resistance and Social Responsibility in a Post-Truth Era. (Keith Kopka, Ruben Quesada, Heather June Gibbons, Arisa White, Marcelo Hernandez Castillo) Writing has always served as a form of social and political resistance. From the ghettos of war-torn Warsaw to the American civil rights movement, writers have historically been a voice for the unrepresented and catalysts for social change. This panel will explore how our current social and political landscape has galvanized this traditional role of the writer, ways to get involved with current movements, and the importance of writing as a political act.

3:00 pm to 4:15 pm
Room 25, Tampa Convention Center, First Floor

S262. What I Found in Florida: Essays From the Sunshine State. (Jim Ross, Jill Christman, Corey Ginsberg, Katelyn Keating, Lucy Bryan) This reading will feature five writers whose essays appear in the What I Found in Florida anthology, forthcoming from University Press of Florida (2018). Travel with these authors to a nature preserve in the panhandle, a Miami neighborhood beset by crime, and a centuries-old city in the path of a hurricane. In their works, Florida is not only a backdrop but also a character—one that inspires meditations on motherhood, the meaning of home, the passage of time, and the future of our planet.

Wednesday, November 15, 2017

Meet the Team

We're very pleased to introduce our spring 2018 Ashland MFA Faculty. We hope you're as excited about these names as we are. Included are a few links to help you get acquainted with these writers and their work: interviews, book reviews, short publications, excerpts.

For a full listing of faculty including their bios and additional information, visit our website's Faculty Page.


Dexter Booth

Author of Scratching the Ghost, winner of the Cave Canem Poetry Prize. Booth’s poems have appeared in Best American Poetry, Blackbird, VQR, and elsewhere.

Grist Journal review of Scratching the Ghost 
“Love in the Time of Revolution” (Blackbird)
“Queen Elizabeth” (VQR)
“Insomnia Poem” (Waxwing)

Gaylord Brewer

Author of nine collections of poetry including Country of Ghost and Give Over, Graymalkin. Brewer has published over nine hundred poems in journals and anthologies including Best American Poetry and The Bedford Introduction to Literature.

Smartish Pace Interview
Three Poems from Asheville Poetry Review
"Being A Good Man" (Rattle)
Three poems from Connotation Press

Douglas Manuel

Author of Testify, a volume called “a breathtaking debut” by the poet David St. John. Manuel’s poetry has appeared at the Poetry Foundation, Poetry Northwest, North American Review and elsewhere.

Article on his career from Daily Trojan
From Poetry Foundation:
"Loud Looks"
"Washing Palms"
"Heading Down"

Sandra Simonds

Sandra is not teaching in spring, but she is leading one of our classes this fall and will be our Paris Residency workshop leader in June.

Author of six books of poetry: Orlando (Wave Books, forthcoming in 2018), Further Problems with Pleasure, winner of the 2015 Akron Poetry Prize, Steal It Back (Saturnalia Books, 2015), The Sonnets (Bloof Books, 2014), Mother Was a Tragic Girl (Cleveland State University Poetry Center, 2012), and Warsaw Bikini (Bloof Books, 2009).

Publishers Weekly review of The Sonnets
“Golden Buddha” (Boston Review)
“You Can’t Build a Child” (Poetry Foundation)


Brian Conn

Author of The Fixed Stars: Thirty-Seven Emblems for the Perilous Season and editor of Birkensnake, a literary zine. Conn’s work has appeared The Bestiary, Conjunctions, The Cincinnati Review, Lady Churchill’s Rosebud Wristlet, and elsewhere.

Interview with Rain Taxi
Poets & Writers announces Conn’s acceptance of the Bard Fiction Prize
“The Hub” (Plinth)
“Leisure” (Conjunctions)

Matthew Salesses

Author of the novels I’m Not Saying, I’m Just Saying and The Hundred Year Flood. In addition to fiction writing, Salesses is a widely respected essayist on issues of craft, race, and pedagogy.

Kirkus review of The Hundred-Year Flood
Excerpt from I’m Not Saying, I’m Just Saying, a novel in flash fiction
Excerpt from The Hundred Year Flood
Loving America: Reading Carlos Bulosan with My Students” (Recent craft article in the Rumpus)

Derek Palacio

Author of The Mortifications and How to Shake the Other Man. His work has appeared in The O. Henry Prize Stories and elsewhere. Palacio runs the Mojave School, a free writing camp for rural Nevada teens, with his wife, the writer Claire Vaye Watkins.

New York Times review of The Mortifications
Excerpt from How to Shake the Other Man (Nouvella Books)
Excerpt from The Mortifications (Penguin/Random House)
"Preparations for the Body" (Short story in Witness)

Nayomi Munaweera

Munaweera’s debut novel, Island of a Thousand Mirrors, won the Commonwealth Regional Prize for Asia and a Godage Prize from its home country and was a Target Book Club selection. Munaweera’s second novel, What Lies Between Us, a book about a Sri Lanka-American, was hailed as one of the most exciting literary releases of 2016 from venues ranging from Buzzfeed to Elle magazine. It won the Sri Lankan National Book Award for best English novel and the Godage Award for Best English Novel.

New York Times review of Island of a Thousand Mirrors
Excerpt from Island of a Thousand Mirrors (Macmillan)
Excerpt from What Lies Between Us (Macmillan)
Recent interview with The Punch Magazine

Sarah Monette

Author or co-author of eight novels including the fantasy series The Doctrine of Labyrinths and Iskryne. Monette is a widely-published writer of fantasy, science-fiction, and horror. She sometimes publishes as Katherine Addison. Her work has appeared in Fantasy Magazine, Clarkesworld, Strange Horizons, Lady Churchill’s Rosebud Wristlet, and elsewhere.

The Book Smugglers review of The Goblin Emperor
“Coyote Gets His Own Back” (Apex Magazine)
“Draco Campestris” (Strange Horizons)
“White Charles” (Clarkesworld)
“Blue Lace Agate” (Lightspeed Magazine)
"The Half-Life of Angels"(Uncanny)

Creative Nonfiction

Lily Hoang

Author of five books including Unfinished, The Evolutionary Revolution, and Bestiary. Hoang’s awards include the PEN Open Books Award and the Cleveland State University Poetry Center Non-Fiction Book Prize. She is editor of Jaded Ibis Press and Executive Editor of HTML Giant.

Publishers Weekly review of Bestiary
Zyzzvya review of Bestiary
On My Birthday, Dragons & Intestines” (short nonfiction in Quarterly West)

Kate Hopper

Author of Ready for Air: A Journey Through Premature Motherhood and Use Your Words: A Writing Guide for Mothers. Hopper’s work has appeared in River Teeth, Brevity, Los Angeles Review of Books,, and Poets & Writers.

Interview with the Star Tribune
Story Circle book review of Use Your Words
“Becoming a Sanvicenteña: Five Stages” (short nonfiction in Brevity)
Look inside of Use Your Words: A Writing guide for Mothers

Bonnie J. Rough

Author of Carrier: Untangling the Danger in My DNA and The Girls Alone: Six Days in Estonia, plus a new book forthcoming from Seal Press in Fall 2018. Rough’s work has appeared in The New York Times, Huffington Post, The Sun, The Best American Science and Nature Writing, and elsewhere.

Publisher's Weekly starred review of Carrier
Excerpt of Carrier
"A Yelper Spreads the Love" (short nonfiction in Brain, Child)
"Help-Selfie" essay-review in Seattle Review of Books
Chicago Tribune Review of The Girls, Alone

See more faculty and detailed information at our Faculty web page.

Wednesday, August 16, 2017

Calls for Submission-- August 2017

Each month, the Ashland MFA Program receives calls for submissions and contest deadlines, which it publicizes in its monthly newsletter. Listed below are this month's calls for submissions. 

Journal Submission

The Woven Tale Press welcomes unsolicited submissions. Since their mission is to grow traffic to noteworthy artists and writers on the World Wide Web, they want to be able to link back your work; you must have a blog or website address. Rolling submissions accepted.

The Southern Review’s submission period is open, with submissions for prose remaining open until December 1, 2017. They accept mail submissions in all genres and online submissions in fiction and nonfiction.

The Southeast Review is currently accepting poetry, fiction, non-fiction, and book review submissions for issues 35.1 and 35.2. They seek quality writing from a range of traditions and styles, with an emphasis on work that pushes boundaries and uses its craft to evoke emotion while making the strange seem familiar and the familiar, strange. Rolling submissions accepted.

Upstart literary journal tiny poetry: macropoetics is seeking submissions. While small, its journal is unique and edgy and has already featured luminary American writers. They are looking for space-based poetry that focuses on the relationship between self and nature, self and items (such as household items, books, etc) and self and other (love, friendship, relationship). They want to curate ten total poems for each issue, twenty-five image poems (macros) and five poems surrounding animals, specifically cats. Send all submissions with an author bio to or visit. Rolling submissions accepted. 

Platypus Press Wildness wants work that evokes the unknown. Platypus Press publishes its online edition every two months. A print anthology will be released once a year. Rolling submissions. No minimum length for poetry and prose, but please keep stories under 2,500 words and each poem under 80 lines. They currently only accept unpublished works; this includes website and personal blogs. Rolling submissions accepted.

Palaver was recently named one of Flavorwire’s hybrid magazines to follow. They are asking for Creative or Academic Submissions that defy the confines of a single discipline and have accessible language. The written academic work should be typed, double spaced, and follow MLA guidelines. Due to the volume of submissions Palaver receives, they ask that the academic pieces run no longer than twenty-five pages, and they do not accept previously published work-- be it print or online. Rolling submissions accepted. 

Eternal Remedy is an online journal dedicated to creative writing surrounding the topics of existentialism, love, psychology, philosophy, religion and the human condition in general. In its third year of operation, the journal is looking to expand its writing selections. Rolling submissions accepted. 

Front Porch Journal, the online literary journal of Texas State University’s MFA program, is celebrating its 10th anniversary. The journal publishes three times a year, highlighting emerging and established writers, reviews, and interviews. They are looking for new stories, essays, poems, flash, artwork, and graphic narratives. Rolling submissions accepted. 

JuxtaProse is accepting submissions in fiction, creative nonfiction, poetry, art, and photography. They pride themselves on providing a venue where emerging writers can find a voice alongside some of the most respected names in world literature. Rolling submissions accepted.
 For more details, visit: 

Found Polaroids is looking for flash fiction to accompany their collection of “found polaroids.” While submitted stories are unpaid writing projects, the exposure that students would gain from their stories is widespread. Found Polaroids has been featured on such news outlets as BBC World Radio, The, Dazed Magazine, CBC Radio 'As It Happens’,, The Plaid Zebra, and many more. Submissions are rolling. 

Glassworks publishes nonfiction, fiction, poetry, hybrid pieces, craft essays, new media, and art both digitally and in print. We also publish flash fiction, prose poetry, and micro essays in our online edition Flash Glass monthly. Submissions for Flash Glass are accepted on a year-round, rolling basis.

Foothill: a journal of poetry invites graduate students to submit up to six unpublished, English-language-based poems composed in any poetic genre or form. They accept simultaneous submissions, and they read them year round. As compensation for publication, authors receive one free copy of the print journal. Foothill is published by Claremont Graduate University. Year-round submissions.

Quills Edge Press is pleased to announce a new and vibrant anthology of women’s voices in poetry. Each of the poets selected will see two or three of her poems included, so that her unique voice can be more deeply appreciated by others. This high-quality anthology will allow new and established voices to submit on a level field, where previous publications do not come into play. Your poetry will speak for itself. Submissions due here by September 22.

Southhampton Review is now accepting submissions for their Short, Short Fiction Contest of up to 350 words. Prizes range from $150 for third place, $250 for second place, and $350 for first. The deadline to submit is October 1. Read more here-

Brittingham and Felix Pollack Poetry Prizes are now open. Any poet with an original, full-length, yet-to-be-published collection is eligible. Each manuscript, accompanied by a $28 reading fee paid online via Submittable, will be considered for both prizes. Each prize offers $1,000 and a publishing contract with the University of Wisconsin Press. Up to three additional finalists may be offered publishing contracts with UW Press as well, though this is not guaranteed. The submission deadline is September 15. More details here.

Poetry of the Scared is open for submissions Friday July 14 trough 11:59 PM on Sunday August 27, 2017. This year’s final judge, Kentucky Poet Laureate Frederick Smock, will select three honorable mentions to receive $100.00 and one winning poem to be awarded the $500.00 Merton Prize in Poetry of the Sacred. The winning poem will be published in the 2017-2018 Winter issue of Parabola Magazine, an internationally recognized magazine devoted to the world’s religious and cultural traditions. View more here.

Glimmer Train now has two contests open, Very Short Fiction and Fiction. There is $7,400 in prizes. First-place winners will be published in Glimmer Train. The deadline for both is August 30, 2017.

The Second Annual Ex Ophidia Press Poetry Book Prize is now open for submissions! The winning poet will receive $1,000 in cash and 15 author copies. Open to all English-language authors (of any age, ethnicity, gender or orientation) for a book of poetry. Suggested length of manuscript is between 64 and 84 pages, single-spaced. The deadline is August 15, 2017.

Blue Mesa Review is open to original English language works in the genres of Poetry, Fiction, and Nonfiction for a $500 prize. The submission must be an unpublished work. Simultaneous submissions are acceptable. The deadline is August 31st. For more details read here.

Conferences, Workshops, and More

Kenyon Review Fellowship
, is a two-year post-graduate residential fellowship at Kenyon College offers qualified individuals time to develop as writers, teachers, and editors. The fellowship provides an annual $35,150 stipend, plus health benefits. Applications are due September 15, 2017. Learn more here:  

HippoCamp, a conference for creative nonfiction writers, will be held from September 8-1, 2017 in Lancaster, PA.This three-day creative writing conference event features 40+ notable speakers, engaging sessions in four tracks, interactive panels, readings, social activities, networking opportunities, and optional, intimate pre-conference workshops in Lancaster, Pa., a city rich in history, arts and culture. All of this, plus meals and snacks, bundled into a great, comprehensive conference rate. The deadline to register is August 25. 

Something to add? Send it to We're especially interested in opportunities that cater to new and emerging writers.

Inside Look at Our 2018 Residency

This year's summer residency brought plenty of unfamiliar faces to our Ashland University campus, so while our students and faculty wer...